"FRONT LINE HURRICANES"BY ROBERT TAYLORAutographed by Roland "Bee" Beamont, Peter Brothers, Frank Carey, Dennis David, John Gibson and Kenneth Lee. LE of 800. Signed and numbered by the artist. Size: 23 1/2" X 32 3/4" Price: $295
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Having pounded Poland into submission, the German onslaught continued through Holland, Belgium and Luxembourg. The "phoney war" was over. On May 10, 1940, upwards of seventy airfields in France, Belgium and the Netherlands came under heavy attack from the Luftwaffe, at that time rampant across the skies of northern Europe.
Aware that the crucial Battle of Britain was to come, Fighter Command's Hugh Dowding could risk but four squadrons of his valuable Hurricane fighters to support the British Expeditionary Force as it fought its rearguard action in France. In the face of the overwhelming might of Germany's Blitzkrieg tactics, the RAF Hurricane Squadrons were involved in some of the most ferocious and sustained air fighting of the entire war. In spite of being so heavily outnumbered, in May and June of 1940, almost 1300 Luftwaffe aircraft fell to the guns of the young RAF pilots, though at a heavy price.
Based at a temporary forward airfield at Lille Marc, the Hurricanes of No. 87 Squadron were in the thick of the fighting. Flying the early model Mk Is, armed only with machine guns, their task was to beat back the incessant air attacks on the British ground forces, and to do what they could to hamper the advance of the German Panzer divisions as they plundered inexorably towards Dunkirk.
Flying from ill-prepared grass strips, with groundcrews making the best of what meagre facilities were on hand, the Hurricane pilots literally flew themselves to a standstill. Front Line Hurricanes, Robert Taylor's superbly constructed new painting, recreates a typical scene at a forward air-base of the era.
Showing the strains of battle, the single-bladed Mk Is of 87 Squadron taxi in from their skirmish. An old farmhouse has been commandeered and now doubles up as flight operations, officers' mess, and accommodation for the lucky ones. The rest of the squadron camp in bell tents. The Medical Corps ambulance parked under cover of the trees is thankfully not needed on this mission, though the late model Citroen saloon car will likely convey as many as it will hold to the village tavern this evening.
A masterful painting by the world's number one aviation artist, his first portraying The Battle of France. Prints are signed by six Hurricane pilots who flew during the Battle of France, offering collectors of WWII aviation art the opportunity to acquire a classic collectors piece.
The SignaturesEach copy of FRONT LINE HURRICANES is signed d SIX of the great Aces of RAF Fighter Command. All flew Hurricanes during the Battle of France in 1940.
COMPANION PRINTSTwo Companion Prints by the world as premier Aviation Artist complete the Battle of France Portfolio. A valuable Commemorative set for collectors of Aviation Art.
GLOSTER GLADIATORA survivor of an earlier generation of fighter aircraft, the Gloster Gladiator was pressed into service during both the Battles of France and Britain, and later went on to do sterling work in Greece and North Africa. This magnificent little biplane inflicted an inordinate amount of damage to enemy aircraft during the early part of the war and flew into immortality in the guise of Faith, Hope and Charity, the three legendary Gladiators that stood alone against the Luftwaffe in the siege of Malta. Robert's fine study of this beautiful aircraft shows a Mk II Gladiator of No. 615 (County of Surrey) Squadron, based at Abbeville, northern France in April 1940. Companion Prints are initialled by the artist, and issued with matching numbers within the Portfolio.
BRISTOL BLENHEIMWhen the Blenheim entered service with the RAF in 1937 its top speed exceeding 300 mph was considered advanced. But, when war broke out two years later, this gallant light bomber was no match for the Luftwaffe's single-engined fighters, and casualties were high. The aircraft nevertheless excelled in attacks on German armour divisions during the Battle of France, and later came into its own as a night-fighter during the blitz of London.Robert Taylor's handsome study shows a Mk IV Blenheim of No. 57 Squadron based at Rosieres, France, flown by Fl. Lt. James Foulsham and seen returning from a daylight bombing raid on a German armoured column, May 17, 1940. Companion Prints are initialled by Robert, and issued with matching numbers within the Portfolio.
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